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"I may trust, at all events," continued the money-lender, "now that you are in receipt of money—and if the terms have been correctly named to me they speak very highly in favour of Captain Acton's generosity—that you will give my debt your immediate attention, and that if you cannot pay all, you will pay as much as I have a right to expect from the amount you receive.",

Nelson's stump wagged with annoyance.,

"Well, Billy," he said with a twinkle in his eye, "seein's we're to be right close related, some day, I guess it's up to me to give you your supper. You go right along over to the house and eat with Ann.",

"Well, that's me an' you. Now then, what you s'pose I meant by them symbols? I meant this. I've gotta watch gap. Fetch your dog over an' we'll set him to watch it, an' we'll skin out an' go fishin'."

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Whilst this singular conversation was being conducted in the cabin, a scene in the tragicomedy of which this book is the relation was being prepared on deck. The convoy on the starboard bow had considerably risen and was scattering, and flags from the armed fabrics which watched the vessels streamed at gaff end and mizzen royal mast-head in signal to the slow sailers and to other ships whose blockheads of masters, indifferent to the safety of the bottoms they commanded, acted without reference to the possibility of the enemy heaving into view, and some of them with the contemptible determination to prove their independence by giving the commodore and the naval officers in the other ships as much trouble and annoyance as skilless seamanship could provide.,

"Yep, I'll stay. I'm goin' to paint Erie's skiff fer her. I'll slip into the ponds ag'in on my way to the Settlement an' kill enough ducks fer our folks an' the neighbors.",

"Wounded whistlers aren't as hard to retrieve as redhead or bluebill," said Stanhope.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.